🎶 Elevate Your Sound Game!
The Audio-Technica AT4040 is a professional-grade cardioid condenser microphone designed for superior audio quality. With its large diaphragm and advanced circuitry, it delivers low noise, a wide dynamic range, and high-SPL capability, making it ideal for studio recordings and live performances. Its durable construction and reliable performance make it a must-have for any serious audio engineer.
Power Source | AC |
Signal-to-Noise Ratio | 82 dB |
Audible Noise | 82 dB |
Number of Channels | 1 |
Polar Pattern | Unidirectional |
Connectivity Technology | Wired |
Connector Type | XLR |
Compatible Devices | Audio Interface |
Item Weight | 3.2 Pounds |
Item Dimensions | 11 x 9.8 x 4.5 inches |
Material Type | Brass |
Color | Black |
G**G
Very Good Microphone
I picked this up when it was on sale. I'm really happy with the purchase and like it as a vocal microphone. It captures the voice is a very likeably way IMO. I've used quite a few budget mics over the years and I think the AT4040 is really hard to beat in this price range. The one negative is I do find it has a good amount of sibilance. But in this price range, you are not going to get perfection. But I think the build quality and, at least in my case, the very pleasing way it caputres the voice make it a great buy overall. I really like the Audio Technica shockmounts as well. So as far as $300 mics go, I would put this right up at the top of the list.
P**M
Strong, clean, and quiet, even with loud and complex sound from a large grand piano
As a hobby, I record my solo piano arrangements and improvisations of songs from the American jazz and swing era. I'm now recording my 15th album, this time a two-CD set of songs by Harry Warren. Earlier albums focused on songs by Irving Berlin, Ellington, Burton Lane, Jimmy McHugh, James Van Heusen, Harold Arlen, and so on.For years, I used a pair of Audio-Technica AT2035 Cardioid Condenser Microphones, feeding an Avid box and Pro Tools. The AT2035s were pretty good, though prone to distortion in loud passages. I must confess that I did not take very good care of them, and over time the diaphragms were too dusty to clean without damaging them, which I believe affected the sound.Before starting my current album, I knew it was time to upgrade mics. As you know, condenser mics can be really expensive, and figuring out which ones are worth it is a subjective affair. So, I decided that going with another pair of Audio-Technicas would be a safe and affordable strategy - as long as I moved up to a better model of AT. After reading many reviews, I settled on the Audio-Technica AT4040.Using my new pair of AT4040s, I have now recorded all 17 of the songs from CD #1 of my next album, plus finished the editing and mastering. I can now say that I am very pleased with the much-improved sound I get from the AT4040s.Note that I use a "close-mic" configuration, where the mics are under the piano. (See my photo.) I own and play a 7-foot Yamaha C6 has a very bright sound with a far more complex overtone structure than a Steinway; it's more like a Boesendorfer. This makes the C6 a great instrument for jazz and other pop music, but a challenge to record from above the strings or at a distance (as in a hall). The AT4040s are really good in a close-mic configuration, which can overwhelm other mics because it's louder than distance mic'ing. Likewise, the AT4040s are not overwhelmed by the extremely complex high frequency structures that result from playing jazz harmonies on a bright piano like the C6.For example, unlike most other jazz pianists, I have a strong and nimble left hand (due to classical training), which I apply to much walking bass and stride playing. My old AT2035s were easily overwhelmed by the booming bass of my 7-foot C6, and they didn't accurately capture this aspect of my playing. My new AT4040s, on the other hand (pun intended), are down-right ravenous with bass frequencies in a close-mic situation, like mine. I'm guessing this is due to the AT4040's large diaphram and transformerless circuits.In closing, I'd say that the AT4040s are not overwhelmed in any frequency range that a complex and bright grand piano like mine can produce. One positive outcome, is that I can record with a higher gain, which amounts to a stronger recording - free of distortion despite being louder - which sounds better on a wide range of playback devices, from acoustic stereos to ear buds on a smartphone.In addition, the AT4040 comes with an excellent shock mount and a cover that fits even when the mic is in the shock mount. Finally, I record and edit with headphones on, which can reveal noise; I find the AT4040 to be very strong but quiet.My only regret is that I didn't upgrade to the AT4040s earlier. Cheers!
J**1
Best Sounding Mic I’ve ever used
I was excited to unbox this and see how it sounds with live sound. This is the best mic I’ve ever used. The sound was definitive and captured not only my voice but also easily picked up the guitar I was playing. It fits nicely into the shock mount that was purchased at the same time. This is my go to mic for any recording I do. Great product.
B**N
Great balanced sound; low/no noise
The media could not be loaded. I just use a cheap preamp and have no complaints with the quality of this mic.
C**N
Great upgrade from at2020
I've been using the audio technica at2020 microphone for six months and decided to upgrade and I am so glad I chose this one. The quality is more crisp and allows my vocals to have more clarity, along with the low clip option together has improved my vocal sound quality. If you're upgrading from the at2020 or any microphone around that price range for a better microphone for at least vocals, this is definitely worth it!
C**R
The microphone is great. The optional add-ons feel like a scam.
The mic comes with a shock absorbing mount, so the additional one isn't necessary and doesn't even fit. The mic stand is made of plastic and unnecessary bulky. Though it feels very sturdy. The pop screen is fine, but I opted for a screen that covers that mic instead. I recommend getting just the mic and getting the rest separately. Not worth the extra charge.
A**R
Very good all around Studio Mic.
If you are looking for a really good all-around Mic, this is it.This is as stated: no fancy pickup pattern selection. It has good rejection of sounds outside of the pickup pattern which is important to dry vocals in smaller rooms. However, it is very sensitive and picks up everything within the pattern. The attenuation switch comes in handy when recording loud sounds and it also has a bass roll off if you need it. Vocals are very clear and I don’t hear any coloring with this microphone. I hear details in my vocals I didn’t hear in my other microphones. Yes, the price is a little high for the beginner but take it from me, it is worth it. I tried the cheap mic route and I was disappointed as I had to ‘fix it in the mix’ after the fact. I searched on YouTube and found a shootout between this Microphone and others. Look it up, I think you will be as impressed as I was.This microphone sound is a close second to a microphone 10x the cost. It is one of the few economically priced consumer microphones that can be found in professional studios. One thing that really sets this microphone different is the minimal proximity affect. I can get as close to it as I want and my voice does not get muffled like other mics I have used. All microphones have some proximity affect. The better the mic, the less overbearing it is.
J**S
Money Well Spent - Excellence
Fantastic mic - Took a very long time to review endless microphones prior to purchase . . . Definately made the best choice for the money. Fantastic clarity!
Trustpilot
3 weeks ago
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